Spenser, the protagonist of Robert B. Parker's typical detective sequence, should be about 70 years outdated. But a couple of years again, Parker chose to stop aging him. He's more mature, possibly a bit slower, but Spenser is equally as tough, courageous and sarcastic as at any time in Hundred Dollar Newborn, Parker's 34th installment on the series.
Spenser will get a stop by from April Kyle, The gorgeous but troubled youthful woman he rescued twice (in Ceremony and Taming a Sea Horse). This time, April, a previous prostitute, has long gone into organization for herself, and she or he has run afoul of some challenging-person varieties who would like to take above her whorehouse. She's hoping Spenser can persuade the Adult males to leave her on your own, which, not surprisingly, is light perform for him and Hawk.
In Ceremony, Spenser was employed by April's mothers and fathers, who have been apprehensive that April may be turning tricks in Boston's infamous Overcome Zone. Ranging from there, Spenser adopted a path of human depravity right until he found April, but when he rescued her, he did not very know how to proceed along with her. Faced with hardly any choices -- and no great ones -- Spenser placed her within the care of a New York madam named Patricia Utley (his rationale becoming that, if April desired to become a whore, she may possibly at the same time be a superb just one).
In Hundred Dollar Child, Utley has assisted April setup shop in Massachusetts, and she or he would like to retain it a lady-owned, lady-operated company. That's all she wishes. Or could it be?
Spenser is accustomed to April not telling him The entire Tale, which time just isn't distinct. In keeping with what admirers understand about Spenser, he are not able to leave it by itself, and as he keeps digging, he finds that nothing at all is as It appears.
Parker's solid points have always been intelligent dialogue and readability, and Hundred Dollar Newborn is no distinctive. Spenser never ever disappoints his Abigail Spenser Hu supporters, remaining legitimate to himself, his important other Susan Silverman, and Hawk as he digs for the truth irrespective of whether his client really wants to hear it. The dialogue often appears repetitive, unique in between Spenser and Susan, but it really is feasible this is by design. It truly is Yet one more reminder that, is surely an at any time-changing entire world, Spenser often is the only continual.